![]() Critics begrudgingly appreciated the film's technical achievements and Caine's performance while criticizing the complex plot, violence and amorality, in particular Carter's apparent lack of remorse for his actions. Turning a respectable profit upon its initial UK release, Get Carter initially attracted mixed reviews. ![]() Cinematographer Wolfgang Suschitzky worked with Hodges to give scenes a naturalistic feel, drawing heavily on their backgrounds in documentary films. Hodges, Klinger and Caine intended to create a more realistic portrayal of violence and criminal behaviour than had previously been seen in British films: Caine, who also served as an uncredited co-producer, incorporated aspects of criminal acquaintances into his characterisation of Carter, while Hodges conducted research into the criminal underworld of Newcastle (in particular the one-armed bandit murder). The production went from novel to finished film in ten months, with principal photography taking place from July to September 1970 in and around Newcastle upon Tyne, Gateshead and County Durham. Producer Michael Klinger optioned Lewis's novel shortly after its publication and made a deal with the ailing Metro-Goldwyn-Mayer (MGM) to finance and release the film, making Get Carter the last project to be approved by the studio's Borehamwood division before its closure. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element. Based on Ted Lewis's 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his hometown in North East England to learn about his brother's supposedly accidental death. Taylor took over the post from Kristy Matheson, who is now heading the BFI’s LFF.Get Carter is a 1971 British crime film, written and directed by Mike Hodges in his directorial debut and starring Michael Caine, Ian Hendry, John Osborne, Britt Ekland and Bryan Mosley. This year’s event is the first organized by the new Programme Director, Kate Taylor. The festival closes with British Iranian filmmaker Babak Jalali’s well-received Sundance pic Fremont. Five feature films will be presented as World Premieres, including the opening film Silent Roar. ![]() Today’s announcement comes ahead of this year’s special edition Edinburgh International Film Festival, hosted as part of the Edinburgh International Festival under a one-year agreement between Edinburgh International Festival and Screen Scotland. In addition to producing and running DNA for 25 years, Macdonald is in his fourth year as a governor of the National Film and Television School and is a Member of the Academy of Motion Pictures Arts and Sciences. Macdonald’s most recent films include Men and Civil War, both written and directed by Alex Garland for A24. ![]() Productions include Devs for FX, Shogun for FX, and an adaptation of Rumer Godden’s Black Narcissus for the BBC and FX Productions. In recent years, he’s also branched into TV. Since 1997 he’s headed DNA Films, producing and financing films including Beautiful Creatures, The Last King of Scotland, Notes on a Scandal, 28 Days Later, 28 Weeks Later, Sunshine, Never Let Me Go, Far From the Madding Crowd, Sunshine on Leith, Ex Machina, Annihilation and Sir Alex Ferguson: Never Give In. Macdonald went on to produce several films with Boyle, including Trainspotting, A Life Less Ordinary, The Beach, and T2 Trainspotting. Written by John Hodge and directed by Danny Boyle, the film was a box office success and won the BAFTA for Best British Film. Edinburgh Film Festival Sets 2023 Sundance Pic As Closing Film ![]()
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